Conversation on the trajectory of tradition and landscape and screening of Stains of Oxus (2016).

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Conversation on the trajectories of female universe and colonialism and screenings of Her Right (2020) and Chillahona (2022).

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Conversation on the trajectory of living with the non-human and screening of The Haunted (2017).

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Conversation on the trajectory of ecology and water mismanagement and screening of Aral. Fishing in an Invisible Sea (2004).

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Closing Keynote by award-winning Uzbek filmmaker and artist Saodat Ismailova.

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Per°Form Open Academy of Arts and Activations ends a glorious 15-hour marathon, with a rewarding feast. A meal welcomes us as our first and only intermission for the day.

From the struggle for human rights to the defence of the rights of nature and other species, an adventure for the decolonization of planet Earth and the future of other planets.

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This presentation will be sharing the artist’s unique approach to artistic activism, while making a case for why dance can be a solid tool for change locally and globally.

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Drawing from their extensive body of work, Selma and Sofiane discuss the stages and strategies of the body/bodies as a powerful vessel for creative, political and social action.

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Drawing inspiration from archaeological methods, literature, and creative writing techniques, embarkment into an imaginative journey exploring the intersection of text and ruins.

This film looks at the bodies, lives (and afterlives) and livelihoods entangled within the shipbreaking industry, and asks us to consider its costs, and to assign culpability.

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This plea attempts a different movement. We use “plea” to make it our own and dynamise its meaning.

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Aziz presents three projects “In Search of Baba Singh” (2019), “Archival Intimacies: Queering South/East Asian Diasporas” (2022) and “The World that Belongs to Us” (2023)

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Giving space to create a new language for Body/Memory locked within ourselves and hidden away by cultural norms or fear of repression allows for the “telling of stories” on our own terms.

Diamantina Arcoiris shares the journey and experiences of working with the individuals whose silences, self-doubt, shame, rejection and hopeless are re-fashioned.

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Chathuri invokes and harnesses a cross disciplinary performative language of speculative reclamation.

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We search for our silences, and subsequently create pathways in the field of art education in Nepal. We develop a taste for different ways of telling stories, listening, and sometimes magic happens.

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In this presentation documenting lived experiences in Sri Lanka, we explore how ‘performing coloniality’ impacts the everyday lives of women sex workers today.

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Investigating archival knowledges as a productive site from which to think of curating and exhibition-making and considering the possibility of archive as an imagination and a space of feminist and queer worldmaking.

Marianne shares her ways of imagining a future to come for a city that is threatened by the rise of the sea level.

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The act of creating is a process of healing. When the mind is focused on creating and the energy is dedicated to developing ideas, the intention and conscious action of creating helps to reduce anxiety and discover a new line of personal and collective self-healing.

Stories told through images, text, and with our bodies, to enact children's stories of strength even when facing what seem like insurmountable situations.

In Lagos we dance like what we have been through — an introductory dance jam session to contemporary street dance in Nigeria widely known as “Naija Fusion”.

A de-educational experience where our errors become a source of inspiration to act, to create without the fear of producing failures or making mistakes.

What stories/lessons have you inherited from the women in your lives — mothers, grandmas, great grandmas, literary ancestors —that wait to flow through you? Re-membering ritual, and writing, with (the photographs of) these women.

Discussion and development around the forms of coexistence with Justices and their punishment practices: How do we create other ways of coexisting? What other justices can we create? How do we create spaces of resistance to the micro-punitivisms that inhabit our societies?

Two Opening Keynotes focusing on self-care and our sustainable relationship with nature - Redesigning Ourselves with fashion designer Diamantina Arcoiris (Bogatá) and How to Love a Tree by filmmaker and visual artist Hira Nabi (Lahore/Amsterdam).

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