POA Opening Studio: Contemporary Indigeneity

A week-long immersive engagement with eight artists and cultural activators from Nepal spotlighting indigenous narratives

The third iteration of Per°Form Open Academy of Arts and Activations opens with urgencies surrounding indigeneity in Nepal. It pays homage to indigenous sovereignty movements, acknowledges the historical and political complexities faced by these communities, situates embodied practices, and re-examines contemporary and ancestral understandings of identity — including queerness.

In a series of keynote, in-conversation and interactive sessions, from 12–15 February, join ArTree Nepal, a collective of five diverse indigenous artists (Hit Man Gurung, Lavkant Chaudhary, Mekh Limbu, Sheelasha Rajbhandari and Subas Tamang) who intersect with the younger collective Kalā Kulo (Bishal Yonjan and Priyankar Bahadur Chand), and an independent writer working on histories and archives (Indu Tharu).

Artwork by Lavkant Chaudhary on narratives of resistance and resilience that disrupt and challenge longitudinal cycles of suffering within the history of the Nepali nation-state. Courtesy of Lavkant Chaudhary.

Priyankar Bahadur Chand and Indu Tharu during Artistic Directors Academy in Nepal on the tika and godana tradition (Tattoo and Marking) of Tharu community. Image by T:>Works.

Works by Subas Tamang deconstruct and repurpose archives concerning the state's exploitation of Tamang lives and labor within the context of the fraught relationship between his community and the evolving Nepali state since the 18th century. Courtesy of Subas Tamang.